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Tag "san proper"

A photo impression of our favorite Sunday evening party. This time teaming up with the Rainbow Disco Club crew from Tokyo (February 4th, 2018)! 

Photos by Rob Thijs

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Kuniyuki x Sauce 81
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DJ Nobu & Antal
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San Proper
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KAMMA & Masalo
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somewhere in amsterdam x rainbow disco club
We are back with our favorite Sunday afternoon party on February 4, 2018! This time we are teaming up with the Rainbow Disco Crew from Tokyo. 

Online tickets are sold out, but there are limited hardcopy tickets available at the counter of Rush Hour store.

ROOM 1
DJ Nobu b2b Antal
Kuniyuki x Sauce81 (live session)
Kikiorix

ROOM 2
San Proper
Kamma & Masalo

Please note that we have changed the location as the party will be held at Claire. Food will be served from 6pm – 8pm.

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Rush Hour Store Japan

 

Out now! RH Store Japan series:

ERI OHNO – SKYFIRE
Ehri Ohno - Skyfire

RURIKO OHGAMI – FUWARI FUWA FUWA

RURIKO OHGAMI	- FUWARI FUWA FUWA

RYO KAWASAKI – LITTLE ONE

RYO KAWASAKI - LITTLE ONE

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Rush Hour @ Rainbow Disco ClubNext week we head back to the mountains of the Izu Peninsula, the beautiful landscape near the city of Tokyo. It is a great honor to host the second Rush Hour label showcase at this inspiring festival, and to meet with Soichi Terada and his friends again in his home country. Hope to see you there when you are around!

Rush Hour Allstars @ Rainbow Disco Club (Sunday, May 1st)

San Proper
Hunee
Soichi Terada
Antal

INFO + TICKETS

Rush Hour @ Rainbow Disco Club 2015

 

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Rush Hour in FranceRush Hour go to France! The label visit the cities of Paris and Bordeaux, accompanied by Ron Trent, Hunee, Antal, San Proper, Volcov, Interstellar Funk, Robert Bergman and Leon Vynehall. Soichi Terada will join on Paris’ biggest party boat called Concrete. Rush Hour started hosting annual nights at Concrete in 2012 and it has always been a huge pleasure. Time to learn more about Paris and the Concrete crew, so we asked promoter Brice Coudert a few questions.

Why a boat?
Because it’s floating on the water? :) Actually it’s not a boat but a barge, so it’s quite huge and it can’t move on the water by itself. We chose that location, because it definitely got something really special and different that any other clubs I’ve ever experienced. The dance floor is very long with a low ceiling, so all the energy is very packed, something you can really feel at peak time.

We are also in a quite calm area of Paris, so the good thing is we are not disturbing anyone with our house and techno music. Except maybe the fishes. I hope they dance to the music as well.

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How is clubbing and underground dance in Paris these days?
In 4 or 5 years it has become quite crazy. Every weekend there are a lot of parties happening everywhere in the city, with very interesting line ups. All of them are packed and have an intense vibe. People really jumped on that clubbing culture, and are really passionate about it. I don’t know how many Facebook groups there are nowadays, where French people share track IDs. And record shops are packed every Saturday afternoon as well…

But most of all, it is very interesting to see how many new young talents are emerging right now. I hope this is not just a hype, but I think everything is proving it’s not only that.

There have been several Rush Hour label nights at Concrete, how were these for you guys?
One of the first label events we organized was with Rush Hour. The label has always had a big influence on me, because I always loved the way in which they were able to release any kind of genre and the way they remained attached to Chicago and Detroit. It was important for us to promote such a label, as Rush Hour carry out the exact kind of values I wanted to promote in Paris with Concrete. Im also very connected with a lot of people in Amsterdam and i really love the Dutch scene, so it just made sense to go for it.

I can say that every Rush Hour event at Concrete contains the same ingredients: a wide scale of musical genres, a lot of fun on the dance floor and in the DJ booth, and an abnormal amount of Dutch people in the club.

It’s gonna be the 5th RH party at Concrete, and I really can’t wait for it. For sure I wont work on that day. ;)

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Rush Hour @ Concrete, Paris: rsvp & info

Rush Hour @ IBoat, Bordeaux: rsvp & info


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Rush Hour’s Young Marco, San Proper and Antal are packing up for a trip in Japan. It’s is going to be a very exiting week with the Rainbow Disco Club festival ahead of us, and a show with Soichi Terada in Kobe plus digging stops… Anticipated as we are, we will drop as much Japanese updates as possible via our RH platforms. Updates about Japanese gems, the tour and the shows, starting out with a ‘Favorites From Japan’ playlist… Stay tuned!

Favorites From Japan
This trip is a good reason to recollect our Japanese favorites in an ever expanding Youtube playlist… Let’s highlight a short selection from that list here.

1. HARUOMI HOSONO – PHILARMONY
This masterpiece gets a repress soon!! “Philarmony” is an avant-garde solo project from Japanese electronic music maestro Haruomi Hosono, founder of the Yellow Magic Orchestra. Originally released in 1982 on his own Yen label, the LP features experimental, boundary-pushing and schizophrenic compositions, veering from wildly abstract beauties to tight and funky dance floor fillers. It is a mesmerizing wander through the sonic genius of Japan’s legendary musical innovator.

2. KIMIKO KASAI WITH HERBIE HANCOCK – BUTTERFLY
‘Butterfly’ is a wonderful and very rare 1979 LP by Japanese songstress Kimiko Kasai and jazz legend Herbie Hancock. Inspired performances from Kimiko herself as well as the supremely talented band of musicians Hancock united for the project, including master drummer Alphonse Mouzon and renowned organist Webster Lewis.

3. RYO KAWASAKI – HAWAIIAN CARAVAN
This beautiful track is taken from “Ryo”, released in 1982. The Japanese jazz guitarist was a musician for the band Tarika Blue, to name another favorite of ours. Kawasaki is best known as one of the first musicians to develop and popularise the fusion genre and for helping to develop the guitar synthesizer in collaboration with Roland Corporation and Korg.

4. RYUICHI SAKAMOTO – RIOT IN LAGOS
This otherworldly electronic track is also from a Yellow Magic Orchestra member. “Riot In Lagos” by Sakamoto was firstly released in 1980 on Island Records. The Japanese musician from Tokyo was also an actor. He played a role in, and composed music for the award winning Bernardo Bertolucci movie The Last Emperor.

Rainbow Disco ClubThe green fields where the Rainbow Disco club festival is taking place…

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We are happy to announce two Rush Hour ADE label nights!

On Wednesday October 15 we will start Amsterdam Dance Event with a Rush Hour club Trouw takeover ft. Ron Trent, Traxx, Hunee, Antal, Robert Bergman, Young Marco, Interstellar Funk and San Proper. This will be the last ADE at Trouw and the line-up is so promising… we have to go out with a bang! Let’s make it a night to remember for a long long time…

And then there’s the Saturday with Transmat! This year Detroit techno pioneer Derrick May resparked his label with the symbolic catalog number MS200 and the promising French producer Karim Sahraoui (aka Djinxx). Both artists will be present, next to Dimitri, Tom Trago, Awanto 3 and Deep’A & Biri. The Transmat label night is a collaboration between Rush Hour and pop temple Paradiso.

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Tickets available via these links below!
Rush Hour – Amsterdam Dance Event Special @ Trouw
Rush Hour & Paradiso present Transmat  

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For San Proper it was time to launch his own imprint ‘Proper’s Cult’,  and he has just announced on his website to celebrate his first release with a free track for you to download. On Proper’s Cult we can expect San Proper releases and music by other artists. 

1. Can you tell me a bit more about the idea behind Proper’s Cult?
“The original intention was to release quality music that stays under the radar,wouldn’t be easily released otherwise. But I guess that because the first release is a four-track EP by myself, the label’s focus is now quality music in general. And it will be more an extension of my sound as well as of the sound of other artists that amplify the ‘Cult’ – tracks which feed our curiosity and soothe our troubles.”

2. So after ‘The Culture EP’ we’ll get some more Proper releases on your label. Do we get to see a specific side of your music?
There’s a lot up my sleeve which I really want to express with this label. The sound of ‘The Culture EP’ is quite dark and moody in my opinion. So for instance I could probably save weepy ballads for the album which I’m working on for another destination. I’m also continuously working on collaborations while touring and travelling, tracks that could make sense for “Proper’s Cult”. Let’s see how it’ll turn out, ok?

3. Next to the label you also organize the Proper’s Cult nights at Club Trouw in Amsterdam.  Where else can we expect to run into Proper’s Cult?
Since Trouw only has one year left to give me a home with the label-night (Trouw will close), I’ve decided to keep ‘Proper’s Cult’ special and exclusive at Trouw’s Verdieping for the time being, but this cultural event will pop up sooner or later where you’ll least expect it. We’re here to embrace this life-style. It’s a cult…

Download San Proper – ‘Ibizoo Forests’ here ….

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