Archive
Tag "rush hour music"

“Electric Park Square” is Interstellar Funk’s debut EP on the label! The mystical six tracker takes you on an adventurous multidimensional journey.

Part of a new breed of young Dutch producers and DJs, Interstellar Funk crafts magical melodies and textured tracks that look to the future whilst taking cues from the past.

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ORDER VINYL
ORDER DIGITAL

INTERSTELLAR FUNK – ELECTRIC PARK SQUARE
(RHM 014)

1 Cable 54
2 Poly Evolver #1
3 Ama Diver (Interstellar Funk and Jeroen)
4 Short Sequence
5 Prototype (Interstellar Funk and Jeroen)
6 Poly Evolver #2

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Rush Hour @ Rainbow Disco ClubNext week we head back to the mountains of the Izu Peninsula, the beautiful landscape near the city of Tokyo. It is a great honor to host the second Rush Hour label showcase at this inspiring festival, and to meet with Soichi Terada and his friends again in his home country. Hope to see you there when you are around!

Rush Hour Allstars @ Rainbow Disco Club (Sunday, May 1st)

San Proper
Hunee
Soichi Terada
Antal

INFO + TICKETS

Rush Hour @ Rainbow Disco Club 2015

 

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Preview the lengthy and weighty takes on Hunee’s “Hiding The Moon” and “Crossroads” by Mick Wills and DJ Fett Burger!

Hunee – Hunch Music Remixes (Mick Wills/ DJ Fett Burger)

Tracklist:
1. Hiding The Moon (Mick Wills Remix)
2. Crossroads (DJ Fett Burger’s Boss Brian Computer Mix)

After Hunee’s celebrated debut album “Hunch Music”, it’s time for these two weighty remixes here… DJ Fett Burger inserts “Crossroads” into Boss Brian’s computer and takes it to an extraordinary new level, Mick Wills transforms “Hiding The Moon” into a lengthy throbbing and grinding floor cracker…

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Lee Collins and Frankie KnucklesLee Collins & Frankie Knuckles (Sound Factory, 1991). Photo courtesy of Ron Trent From his upcoming Prescription Word, Sound & Power anthology boxset. 

Ron Trent’s cousin Lee Collins must have had a great impact on the Prescription main man. In the early days of house music, Collins was one of the DJs that gleamed in the legendary Music Box’ DJ-booth. The Windy City super jock learned his craft first hand from DJs such as Andre Hatchett, Frankie Knuckles, Farley Keith and Robert Owens. Soon, the Chicagoan developed the kind of progressive funky soul sound that he is known for today. We’re overjoyed to have Collins as our guest on the Rush hour Weekender’s Sunday. Few tickets are still available

Disco Madness
Collins became an influential taste maker, via his „Disco Madness” radioshow which he started in the early eighties for example. According to ratings, by 1985, “Disco Madness” was rivaling WBMX’s legendary „Hot Mix Five” radioshow. In 1986, Robert Williams, owner of the Music Box, opened Fridays at the club for Lee to do a sequence of “Disco Madness” parties.

Soul In The Hole
Later, Lee Collins teamed up with Sadar Bahar and Russoul and formed a production company called “Soul in the Hole”. Again, years later, the first BBE compilation introduced their exciting adventurous musical taste to a wider audience. On the Rush Hour Weekender’s Sinday, the two veterans Bahar and Collins team up for the very first time in Amsterdam to share more underplayed funk, jazz and soul infused disco and house music with the dancefloor.

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Soichi Terada North America tour

Soichi Terada tours North America this month!

February 5th – Warehouse, LA
February 6th – F8, Sure Thing, San Francisco
February 13th – Dionysus Disco, The Oberlin ‘Sco Oberlin
February 14th – Cabal, Toronto
February 16th – Le Salon Daomé, Montreal
February 19th – Warehouse, NYC
February 20th – Smart Bar Chicago

More details & tickets here

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Rush Hour are very proud to release Orlando Voorn – “In My World”. After re-releasing classics under his Fix, Format and Baruka monikers, the label continue with the release of Dutch techno legend Voorn his beautiful new album. Preview two tracks in full below!

Orlando Voorn has always been acknowledged as a master thanks to his unique sense for abstract melodies and drum programming. “In My World” embodies these credentials, incorporating diverse excursions that are suspended and rich in detail.

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ORLANDO VOORN – IN MY WORLD 

Orlando Voorn - In My World

Info + order:
LP
CD
Digital

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LP TRACKLIST 
1. Space Age
2. Let Me Lead The Way
3. Goon Entire Kickless
4. Anti Political
5. The Swamp
6. Predator’s Cave
7. Chicago By Night
8. Turn Left Right Here

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Rush Hour in Japan

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Rush Hour go to Japan for two label nights! Soichi Terada, Hunee and Antal are heading over to Air, Tokyo and Troopcafe, Kobe this week!

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 After touring Europe, it is now time to play with Soichi Terada in Japan…

INFO | Rush Hour @ Troopcafe, Kobe | Dec 20

INFO | Rush Hour @ Air, Tokyo | Dec 22

 

 

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A selection of highlights, released on Rush Hour Music in 2015! “Rush Hour Best of 2015″ is now available on RH’s Bandcamp page and will hit other digital stores on December 1st.

rushhourmusic.bandcamp.com

Tracklist
01. Hunee – Crossroads
02. Joy Orbison – A213
03. Leon Vynehall – Midnight On Rainbow Road
04. Soichi Terada & Manabu Nagayama – Low Tension (Alternative Version)
05. Vincent Floyd – Moonlight Fantasy
06. Shinichiro Yokota – Do it Again
07. No Pain – Its Gonna Be Alright (No More Pain Mix)
08. 2000 Black – Make it Hard
09. AKSK – Breaking
10. Ron Trent – Ron Hardy (Dedication To You)
11. James Mason – Dance Of Life
12. Sumy – Soul With Milk
13. Vincent Floyd – I Dream You
14. Hunee – Rare Happiness
15. Awanto 3 – Fat Ass Pigeons
16. Orlando Voorn – Turn Left Here

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Rush Hour in FranceRush Hour go to France! The label visit the cities of Paris and Bordeaux, accompanied by Ron Trent, Hunee, Antal, San Proper, Volcov, Interstellar Funk, Robert Bergman and Leon Vynehall. Soichi Terada will join on Paris’ biggest party boat called Concrete. Rush Hour started hosting annual nights at Concrete in 2012 and it has always been a huge pleasure. Time to learn more about Paris and the Concrete crew, so we asked promoter Brice Coudert a few questions.

Why a boat?
Because it’s floating on the water? :) Actually it’s not a boat but a barge, so it’s quite huge and it can’t move on the water by itself. We chose that location, because it definitely got something really special and different that any other clubs I’ve ever experienced. The dance floor is very long with a low ceiling, so all the energy is very packed, something you can really feel at peak time.

We are also in a quite calm area of Paris, so the good thing is we are not disturbing anyone with our house and techno music. Except maybe the fishes. I hope they dance to the music as well.

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How is clubbing and underground dance in Paris these days?
In 4 or 5 years it has become quite crazy. Every weekend there are a lot of parties happening everywhere in the city, with very interesting line ups. All of them are packed and have an intense vibe. People really jumped on that clubbing culture, and are really passionate about it. I don’t know how many Facebook groups there are nowadays, where French people share track IDs. And record shops are packed every Saturday afternoon as well…

But most of all, it is very interesting to see how many new young talents are emerging right now. I hope this is not just a hype, but I think everything is proving it’s not only that.

There have been several Rush Hour label nights at Concrete, how were these for you guys?
One of the first label events we organized was with Rush Hour. The label has always had a big influence on me, because I always loved the way in which they were able to release any kind of genre and the way they remained attached to Chicago and Detroit. It was important for us to promote such a label, as Rush Hour carry out the exact kind of values I wanted to promote in Paris with Concrete. Im also very connected with a lot of people in Amsterdam and i really love the Dutch scene, so it just made sense to go for it.

I can say that every Rush Hour event at Concrete contains the same ingredients: a wide scale of musical genres, a lot of fun on the dance floor and in the DJ booth, and an abnormal amount of Dutch people in the club.

It’s gonna be the 5th RH party at Concrete, and I really can’t wait for it. For sure I wont work on that day. ;)

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Rush Hour @ Concrete, Paris: rsvp & info

Rush Hour @ IBoat, Bordeaux: rsvp & info


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Joy Orbison holding Musik For Autobahns 2

Gerd Janson’s wonderful Musik For Autobahns 2 is out now on 2LP, CD and digital formats! It is an imaginative collection of tracks by Joy Orbison, Leon Vynehall and Bicep amongst many others, inspired by long rides in ambient race cars!!

(Foto: Joy Orbison and his fresh copy at the Rush Hour store)

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MUSIK FOR AUTOBAHNS 2 (RHM 018) 

OUT NOW
Grab your copy at your favorite store near you
or order here:

LP + CD 

DIGITAL

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Rush Hour on NTS Radio After a bit of radio silence, Antal and John Gomez are heading back to the NTS studio in London for a two hour Rush Hour show this Saturday August 8. Next to playing a lot of personal favorites, the label special will also be about upcoming releases. John has participated since the very first show, so a proper introduction is in order.

You started hosting the Rush Hour specials on NTS about a year ago. How did you get involved?
I’ve known Antal for about ten years. We met in Madrid at one of his gigs with KC The Funkaholic and have stayed in touch since. Over the years I have reviewed some of the events he has organized for magazines like Shook. When the opportunity came up to do a Rush Hour show on NTS, Antal wanted someone in London who was knowledgeable of all aspects of Rush Hour’s musical output – from obscure Malian records to the latest Detroit techno – and who would be comfortable speaking to different types of guests. But more than anything else, I think Antal likes to work with friends who he knows share his passions.

The first Rush Hour NTS show ft. Rick Wilhite, Jungle By Night, Awanto 3 and John Gomez in September 2014.

What is your background in music?
Music has always occupied a privileged place in my life. When I was younger I played a lot more as an instrumentalist, studying the trombone first and, later, percussion in places like Cuba, Brazil, and Indonesia. Now I spend more time thinking about music and writing about it, sometimes for music press, other times more academically.

What keeps you currently occupied when it comes to music?
Right now I have less time to write about music, but I play regularly in London at places like Brilliant Corners. I also run a night, Tangent, with supreme digger and DJ Nick the Record. Since Plastic People closed, London nightlife has been in need of a reboot. We like to think that Tangent is, in a small way, contributing to giving those people tired of generic music on mediocre soundsystems a new home or, at least, a new, happy destination.

There will be a new show this Saturday August 8, what can we expect?
That’s up to Antal! I was in Japan before the last show we did together and I got a message saying he wanted to do a strictly Brazilian 45s show. I only had a couple of hours when I got back to London to travel home and get a selection together. I have yet no idea what he has planned for this time. It’ll be a surprise for me, as much as for you.

Rush Hour-Still

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“Musik For Autobahns 2″ is a fresh and exclusive collection of music compiled by Gerd Janson and features tracks by Joy Orbison, Leon Vynehall, Bicep, Orlando Voorn, AKSK and many more…

“So, what awaits you on the second edition of a compilation that claims in a winking to present “ambient race car music”? Exactly what it says on the tin. A fresh and exclusive collection of music that hopefully sounds as great in a car as it will in the comfort zone of your own living-room or during dusk and dawn in your favorite club environment (see Bicep and Fort Romeau for further reference). But first and foremost it is truly inspired by many trips on the Autobahn between Frankfurt and Heidelberg. Going to and from one club to the other, was the way to spend countless hours of adolescence in excitement instead of tedious purposelessness. But I will not bother you with droll stories of my youth.

Musik for Autobahns 2 is the result of a collective effort by dear friends and esteemed colleagues who picked up where the first one ended, while paying attention to the prevailing theme. From Leon Vynehall and his profound research of the BAB 5 to Joy Orbison’s “A 213” or Lauer’s heartfelt and wry Kraftwerk pastiche, all of the tracks have a certain compatibility in common or just sound great, while having a drive. “Breaking” by AKSK for instance made the stop-and-go traffic in the blazing heat of Los Angeles so much more bearable (the vintage Volvo helped as well). Also, you will meet freshmen like Orson Wells, whose idea of traveling exceeds the boundaries of our planet, next to a grey eminence like Orlando Voorn (on the compact disc edition of this at least) or elusive characters like Disco Nihilist. All bringing their special skills and imagination to the table.

Gute Fahrt,
Gerd Janson”

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V/a – Musik For Autobahns 2
(RHM 018)

Ambient Race Car Music
compiled by Gerd Janson

Musik For Autobahns

PRE-ORDER LP + CD
DIGITAL

Tracklist (CD):
1 Leon Vynehall – Midnight on Rainbow Road
2 Joy Orbison – A213
3 Fort Romeau – Seleno
4 Shan – Awakening
5 AKSK – Breaking
6 Conga Radio – 168 North
7 Orson Wells – Orbiting Jupiters
8 Orlando Voorn – Turn Left Here
9 Disco Nihilist – Melancholy
10 Lauer – Autofahrn
11 Bicep – Carmine

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