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Tag "Hunee"

Rush Hour in FranceRush Hour go to France! The label visit the cities of Paris and Bordeaux, accompanied by Ron Trent, Hunee, Antal, San Proper, Volcov, Interstellar Funk, Robert Bergman and Leon Vynehall. Soichi Terada will join on Paris’ biggest party boat called Concrete. Rush Hour started hosting annual nights at Concrete in 2012 and it has always been a huge pleasure. Time to learn more about Paris and the Concrete crew, so we asked promoter Brice Coudert a few questions.

Why a boat?
Because it’s floating on the water? :) Actually it’s not a boat but a barge, so it’s quite huge and it can’t move on the water by itself. We chose that location, because it definitely got something really special and different that any other clubs I’ve ever experienced. The dance floor is very long with a low ceiling, so all the energy is very packed, something you can really feel at peak time.

We are also in a quite calm area of Paris, so the good thing is we are not disturbing anyone with our house and techno music. Except maybe the fishes. I hope they dance to the music as well.

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How is clubbing and underground dance in Paris these days?
In 4 or 5 years it has become quite crazy. Every weekend there are a lot of parties happening everywhere in the city, with very interesting line ups. All of them are packed and have an intense vibe. People really jumped on that clubbing culture, and are really passionate about it. I don’t know how many Facebook groups there are nowadays, where French people share track IDs. And record shops are packed every Saturday afternoon as well…

But most of all, it is very interesting to see how many new young talents are emerging right now. I hope this is not just a hype, but I think everything is proving it’s not only that.

There have been several Rush Hour label nights at Concrete, how were these for you guys?
One of the first label events we organized was with Rush Hour. The label has always had a big influence on me, because I always loved the way in which they were able to release any kind of genre and the way they remained attached to Chicago and Detroit. It was important for us to promote such a label, as Rush Hour carry out the exact kind of values I wanted to promote in Paris with Concrete. Im also very connected with a lot of people in Amsterdam and i really love the Dutch scene, so it just made sense to go for it.

I can say that every Rush Hour event at Concrete contains the same ingredients: a wide scale of musical genres, a lot of fun on the dance floor and in the DJ booth, and an abnormal amount of Dutch people in the club.

It’s gonna be the 5th RH party at Concrete, and I really can’t wait for it. For sure I wont work on that day. ;)

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Rush Hour @ Concrete, Paris: rsvp & info

Rush Hour @ IBoat, Bordeaux: rsvp & info


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Rush Hour ADE L.I.E.S

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TICKETS AVAILABLE HERE

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Hunee Hunch Music

Hunee’s debut album is out now! We are happy to finally release the complete work: an amalgamation of different moods and influences. “Hunch Music” has become a surprising and seductive artistic chapter in Hun Choi’s the musical carrier.

As a DJ, Hunee manifested himself as a fine connoisseur of classic and contemporary music. Always smiling, he is determined to share every fine record he finds with the world. Over the past few years, Hunee the producer has put out some highly acclaimed EPs, but only a handful. The producer went quiet for a moment, but “Hunch Music” proves Hunee’s unstoppable character.

“Hunch Music” is rather special: it is a cinematic journey from the beginning to the end, with scenes we haven’t encountered before. It starts with “Woods” as the perfect introduction – a moody, mystic night haze that quickly changes into a warm and soothing whole. Following with “Crossroads”, the mystery transcends into something that moves us to the dance floor, and we’re not sure whether we want to keep moving or we just want to listen. “Hunch Music” has a nocturnal aura, an organic groove, and moments of glorious acid. It takes us up and throws us down, gently, while subjecting us to many cinematic and musical elements.

“Hunch Music” is available from RH’s store on LP and CD: http://bit.ly/HuneeHunchMusic

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HUNEE – HUNCH MUSIC (RHM 016)

Hunee Hunch Music

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DJ Deep:
So nice to hear Music as inspiring and positive as is Hunee, an amazing Dj, a great person and a dope producer!”

Kirk Degiorgio:
“One of the very best for real house music…”

Joe Muggs (Boiler Room/The Wire):
“Beautiful, beautiful record, soothing our souls on Monday morning in the office”

 

 

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Hunee releases his debut album “Hunch Music” this Spring. “Hunch Music” is the striking assembly of the artist’s versatile inspirations and productional talent. It is a rich musical journey that latches onto you and doesn’t let go easily.

Hun Choi, better known as Hunee, is a Korean Berliner who moved to Amsterdam over a year ago. In Berlin he used to work in a record store where he could extend his unquenchable enthusiasm for music. DJ and writer Finn Johannsen used to be one of Hun’s customers and they became friends. While listening to “Hunch Music” for the first time, Johannsen put Hunee’s music into words.

“When I met Hunee was many years ago, in a Berlin record store where he worked at that time. Of course. He noticed the Disco stuff I chose from the crates and soon we were talking. And also soon we were playing gigs together. I was actually looking back on many years of playing out then, and I was not that determined to keep on keeping on. But you cannot act reserved around Hunee, particularly as far as music is concerned.

Hunee’s enthusiasm for music is astounding. For every special record he learns about, he will find several other special records in return. It would be a waste of time for him to feed on the beauty of sounds and not share. And then Hunee the producer emerged, to add to all the other music around him. At first, his very own music showed the restlessness he so often displayed in everyday life, plus nocturnal endeavours. There were wonderful ideas, almost too many of them. It seemed that Hunee took in so much music that his own artistic persona had to fight its way out.

But it did. Yet after a few acclaimed releases, Hunee the producer disappeared again. I do not know why exactly, he never told me, and I never really asked. Apparently a debut album was ready to go, but it never saw the light. I felt that was quite a respectable and brave move, and I was very confident that he would not give up so easily. He never does.

But for an avid vinyl collector like himself, it is quite difficult to achieve that all the inspirations do not divert from your own signature, yet still shine through, and the album is still a format much superior to others. And so while he continued to drop platters that matter week in way out, he went supposedly Kubrick on his own. I am most probably not exaggerating. Why? Because I’m listening to this album while I am writing these lines.

And this album is rather special. Even the opening title is special. It does not show off some unjustified pretension, it sets a perfect mood, a misty Eastern mood, full of drips, whirls and sweet ambience. Ending in one of the catchiest melodies I heard since I first fell in love with Japanese Synth pop. Not the easiest task to transcend this blissful mystery to something you can dance to, but Crossroads does exactly that, adding a cinematic aura that feels like elements unknown are tearing the roof off the to display a panoramic view of something you have never seen before.

Silent Sensations, let me touch it. It feels acidic, and it has the glory. You will consider devouring it. Rare Happiness takes up the trip, and throws it around. A mean little groover, if I may say so. Burning Flower in all its fury may be Fitzcarraldo’s ship sliding all the way back down, with the fat lady still singing.

And if they pull that ship back up, this track will send it down again, instantly. Error Of The Average follows suit adequately, like a Sci­Fi orchestra whipping a round dance of lost souls into oblivion, all swirling drama and voodoo frenzy. I’m still trying to unlock myself from it. Failed Movement takes its time, with string melancholia unfolding into a precious downbeat stroll. Bruises is just baffling.

Do not even try to tell me you have ever heard one of the most famous vocal samples of the Paradise Garage legacy accompanied by a heart­ wrenching string quartet. No, you did not. And you will probably not hear anything like this again. And is the exotic setting in Hiding The Moon really crashing into that several minute psychedelia breakdown that then finally explodes into those revolving bass lines and HEAVY beats? They may plant flowers and gardens through the deep and chaotic furrows this has left behind, but the idyll will never be the same again.

And it keeps going more places. The jazz­fuelled interlude that is Amo (Admiration) reprises the Eastern atmosphere from earlier on, but in a puzzling way. We are talking suspense. And then… the End of The World, which I indeed did not know yet. If this is the afterworld, I am not afraid. It feels a bit feverish to me, even a bit uncertain. But I can hear a light at the end of the tunnel. Exaggerating? Me? No. I was just listening to this album while I was writing these lines.”

Words by Finn Johannsen.
Johannsen is a DJ and writer. He also co-runs the label Macro Recordings and works at Hard Wax, Berlin.

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Hunee – Hunch Music (RHM 016)

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1. Woods
2. Crossroads
3. Burning Flower
4. Error Of The Average
5. Silent Sensations
6. Hiding The Moon
7. Rare Happiness
8. The World
9. Bruises
10. Amo (Admiration)

Order “Hunch Music” here

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We are happy to announce two Rush Hour ADE label nights!

On Wednesday October 15 we will start Amsterdam Dance Event with a Rush Hour club Trouw takeover ft. Ron Trent, Traxx, Hunee, Antal, Robert Bergman, Young Marco, Interstellar Funk and San Proper. This will be the last ADE at Trouw and the line-up is so promising… we have to go out with a bang! Let’s make it a night to remember for a long long time…

And then there’s the Saturday with Transmat! This year Detroit techno pioneer Derrick May resparked his label with the symbolic catalog number MS200 and the promising French producer Karim Sahraoui (aka Djinxx). Both artists will be present, next to Dimitri, Tom Trago, Awanto 3 and Deep’A & Biri. The Transmat label night is a collaboration between Rush Hour and pop temple Paradiso.

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Tickets available via these links below!
Rush Hour – Amsterdam Dance Event Special @ Trouw
Rush Hour & Paradiso present Transmat  

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This Saturday in Brooklyn NYC
First of all, on the Rush Hour night in Halcyon, Brooklyn, Hunee and Tom Trago will join Los Hermanos Network Detroit!

SXSW
We like to invite all of you who is heading SXSW in Austin, Texas this year, to join us at The Madison! We  do a little showcase there! ft. Hunee and Tom Trago. For more info, pls click on the artist names, and you will be directed to the SXSW page.

Rus Hour label night in London
Apart from that … We are so excited that Xosar will be playing live in London for the first time!! At the Rush Hour label night at Studio Who, ft. Antal and San Proper wo will be DJing, click here for more details.

See you when you are around!

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