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Tag "hunch music"

This player previews Hunee – Hunchin’ All Night (RHMC 001). Hunee presents a collection of his favorite dance floor cuts from the 70ties till modern times. Due out worldwide on April 9th, 2018 as a 3LP (+ download code) release, a CD and in digital formats.

Going from afro to disco to techno, “Hunchin’ All Night” holds a wide spectrum of songs,  by the wonderful Boncana Maïga, Pat Thomas, Black Beat Niks, Kenny Larkin,Larry Heard, Mappa Mundi and many more.

LP + CD (mailorder)

Bandcamp
Digital music stores
Spotify

LP + CD (wholesale)*

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Tracklist:
1. Carlos Maria – Blu Terra
2. Aby Ngana Diop – Michael Ozone’s Liital Rhythm
3. Boncana Maïga – Komya Hondo
4. Stanislas Tohon – Owhaaou ! (Raphael Top-Secret Edit)
5. Don Laka – Stages
6. Blak Beat Niks – Ritual Of Love (Ron’s Vocal Beat Down Mix)
7. Larry Heard – Burning 4 You
8. Villa Abo – Made On Coffee & Wine
9. Mappa Mundi – Trance Fusion (Hunee Tempo Edit)
10. Pat Thomas – Yesu San Bra: Disco Hi-Life
11. African Futurism – Akal Akal
12. Dark Comedy – Without A Sound (Long ”White Label” Version)

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*If you’d like to order this wholesale, please send a mail to orders@rushhour.nl

 

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Hunee - Hunch Music remixes by Mick Wills and DJ Fett Burger

Lengthy and weighty “Hunch Music” remixes by Mick Wills and DJ Fett Burger! Comes with special relief printed sleeve.

After Hunee’s celebrated debut album “Hunch Music”, it’s time for these two remixes here… DJ Fett Burger inserts “Crossroads” into Boss Brian’s computer and takes it to an extraordinary new level, Mick Wills transforms “Hiding The Moon” into a throbbing and grinding floor cracker. BIG TIP!

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HUNEE – HUNCH MUSIC REMIXES (RHM 021)
1 Hiding The Moon (Mick Wills Remix)
2 Crossroads (DJ Fett Burger’s Boss Brian Computer Mix)

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Rush Hour Music starts compilation seriesConnoisseur selector Hunee presents “Hunchin’ All Night”, a collection of his long time favorite dance floor cuts. Tracks by the wonderful Boncana Maiga, Zogo, Black Beat Niks, Kenny Larkin and Mappa Mundi are all included, and many more. The full tracklist will be announced soon.

“Hunchin’ All Night” kicks off Rush Hour’s new compilation series, with “Surinam Funk Force” second in line. “Surinam Funk Force” is compiled by Antal Heitlager and Thomas Gesthuizen, and will drop first. This compilation features highly collectable and rare Surinamese 45’s and LP cuts. The volume is the follow up to the Kindred Spirits released “Surinam!” compilation and goes deeper into the field of 70ties and 80ties funk and boogie music from the Surinamese dance floors.

HUNEE – HUNCHIN’ ALL NIGHT (RHMC 001)

Hunchin All Night (RHMC 001)

Photo courtesy of Tim Sweeney, Beats In Space (2011)

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SURINAM FUNK FORCE (RHMC 002)

Surinam Funk Force (RHMC 002)

 

 

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Mick Wills

Mick Wills is a relentless DJ, one that has an obsessive way of spinning records. A DJ who combines his own unearthed material and mixes them mercilessly with classics and new releases. He is well known for his killer M.W. edits and he recently transformed Hunee’s “Hiding The Moon” into a throbbing and grinding floor cracker… A brief introduction to this masterful DJ is in order!

Wills is our guest on the Rush Hour Weekender’s Saturday, alongside Beau Wanzer, Interstellar Funk and Robert Bergman. Please note that we are down to the very last tickets!

When Mick Wills starts his DJ carrier in the eighties, he plays anything from new wave to hi-NRG. After he discovers techno, acid and new beat in the late 80’s, nothing can stop him anymore. He recites the mailorder hotline number from the Hardwax record store in his sleep, and he seeks old disco and funk records on flea-markets and record fairs as well.

In 1994, Wills spins together with DJ Hell. Hell is impressed: he gives Wills the chance to spin in the legendary Ultraschall in Munich, also based on the mixtapes that wills keeps handing over to Hell. Two years later his collaboration with Klangstabil’s Maurizio Blanco in the studio makes him realize that he wants to produce records as well as play them. As wills doesn’t like to do things half way, it takes him several years to get a studio together and learn all the tricks of the trade, so on each of his following records you can hear Wills’ progress in the studio. While signed to Hell’s Gigolo, his dj-career takes off.

Mick Wills is a true music freak, an avid record collector and really does play like every night is his last. Again and again and again…

 

 

 

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Preview the lengthy and weighty takes on Hunee’s “Hiding The Moon” and “Crossroads” by Mick Wills and DJ Fett Burger!

Hunee – Hunch Music Remixes (Mick Wills/ DJ Fett Burger)

Tracklist:
1. Hiding The Moon (Mick Wills Remix)
2. Crossroads (DJ Fett Burger’s Boss Brian Computer Mix)

After Hunee’s celebrated debut album “Hunch Music”, it’s time for these two weighty remixes here… DJ Fett Burger inserts “Crossroads” into Boss Brian’s computer and takes it to an extraordinary new level, Mick Wills transforms “Hiding The Moon” into a lengthy throbbing and grinding floor cracker…

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A selection of highlights, released on Rush Hour Music in 2015! “Rush Hour Best of 2015″ is now available on RH’s Bandcamp page and will hit other digital stores on December 1st.

rushhourmusic.bandcamp.com

Tracklist
01. Hunee – Crossroads
02. Joy Orbison – A213
03. Leon Vynehall – Midnight On Rainbow Road
04. Soichi Terada & Manabu Nagayama – Low Tension (Alternative Version)
05. Vincent Floyd – Moonlight Fantasy
06. Shinichiro Yokota – Do it Again
07. No Pain – Its Gonna Be Alright (No More Pain Mix)
08. 2000 Black – Make it Hard
09. AKSK – Breaking
10. Ron Trent – Ron Hardy (Dedication To You)
11. James Mason – Dance Of Life
12. Sumy – Soul With Milk
13. Vincent Floyd – I Dream You
14. Hunee – Rare Happiness
15. Awanto 3 – Fat Ass Pigeons
16. Orlando Voorn – Turn Left Here

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Rush Hour in FranceRush Hour go to France! The label visit the cities of Paris and Bordeaux, accompanied by Ron Trent, Hunee, Antal, San Proper, Volcov, Interstellar Funk, Robert Bergman and Leon Vynehall. Soichi Terada will join on Paris’ biggest party boat called Concrete. Rush Hour started hosting annual nights at Concrete in 2012 and it has always been a huge pleasure. Time to learn more about Paris and the Concrete crew, so we asked promoter Brice Coudert a few questions.

Why a boat?
Because it’s floating on the water? :) Actually it’s not a boat but a barge, so it’s quite huge and it can’t move on the water by itself. We chose that location, because it definitely got something really special and different that any other clubs I’ve ever experienced. The dance floor is very long with a low ceiling, so all the energy is very packed, something you can really feel at peak time.

We are also in a quite calm area of Paris, so the good thing is we are not disturbing anyone with our house and techno music. Except maybe the fishes. I hope they dance to the music as well.

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How is clubbing and underground dance in Paris these days?
In 4 or 5 years it has become quite crazy. Every weekend there are a lot of parties happening everywhere in the city, with very interesting line ups. All of them are packed and have an intense vibe. People really jumped on that clubbing culture, and are really passionate about it. I don’t know how many Facebook groups there are nowadays, where French people share track IDs. And record shops are packed every Saturday afternoon as well…

But most of all, it is very interesting to see how many new young talents are emerging right now. I hope this is not just a hype, but I think everything is proving it’s not only that.

There have been several Rush Hour label nights at Concrete, how were these for you guys?
One of the first label events we organized was with Rush Hour. The label has always had a big influence on me, because I always loved the way in which they were able to release any kind of genre and the way they remained attached to Chicago and Detroit. It was important for us to promote such a label, as Rush Hour carry out the exact kind of values I wanted to promote in Paris with Concrete. Im also very connected with a lot of people in Amsterdam and i really love the Dutch scene, so it just made sense to go for it.

I can say that every Rush Hour event at Concrete contains the same ingredients: a wide scale of musical genres, a lot of fun on the dance floor and in the DJ booth, and an abnormal amount of Dutch people in the club.

It’s gonna be the 5th RH party at Concrete, and I really can’t wait for it. For sure I wont work on that day. ;)

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Rush Hour @ Concrete, Paris: rsvp & info

Rush Hour @ IBoat, Bordeaux: rsvp & info


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Hunee Hunch Music

Hunee’s debut album is out now! We are happy to finally release the complete work: an amalgamation of different moods and influences. “Hunch Music” has become a surprising and seductive artistic chapter in Hun Choi’s the musical carrier.

As a DJ, Hunee manifested himself as a fine connoisseur of classic and contemporary music. Always smiling, he is determined to share every fine record he finds with the world. Over the past few years, Hunee the producer has put out some highly acclaimed EPs, but only a handful. The producer went quiet for a moment, but “Hunch Music” proves Hunee’s unstoppable character.

“Hunch Music” is rather special: it is a cinematic journey from the beginning to the end, with scenes we haven’t encountered before. It starts with “Woods” as the perfect introduction – a moody, mystic night haze that quickly changes into a warm and soothing whole. Following with “Crossroads”, the mystery transcends into something that moves us to the dance floor, and we’re not sure whether we want to keep moving or we just want to listen. “Hunch Music” has a nocturnal aura, an organic groove, and moments of glorious acid. It takes us up and throws us down, gently, while subjecting us to many cinematic and musical elements.

“Hunch Music” is available from RH’s store on LP and CD: http://bit.ly/HuneeHunchMusic

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HUNEE – HUNCH MUSIC (RHM 016)

Hunee Hunch Music

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DJ Deep:
So nice to hear Music as inspiring and positive as is Hunee, an amazing Dj, a great person and a dope producer!”

Kirk Degiorgio:
“One of the very best for real house music…”

Joe Muggs (Boiler Room/The Wire):
“Beautiful, beautiful record, soothing our souls on Monday morning in the office”

 

 

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Hunee releases his debut album “Hunch Music” this Spring. “Hunch Music” is the striking assembly of the artist’s versatile inspirations and productional talent. It is a rich musical journey that latches onto you and doesn’t let go easily.

Hun Choi, better known as Hunee, is a Korean Berliner who moved to Amsterdam over a year ago. In Berlin he used to work in a record store where he could extend his unquenchable enthusiasm for music. DJ and writer Finn Johannsen used to be one of Hun’s customers and they became friends. While listening to “Hunch Music” for the first time, Johannsen put Hunee’s music into words.

“When I met Hunee was many years ago, in a Berlin record store where he worked at that time. Of course. He noticed the Disco stuff I chose from the crates and soon we were talking. And also soon we were playing gigs together. I was actually looking back on many years of playing out then, and I was not that determined to keep on keeping on. But you cannot act reserved around Hunee, particularly as far as music is concerned.

Hunee’s enthusiasm for music is astounding. For every special record he learns about, he will find several other special records in return. It would be a waste of time for him to feed on the beauty of sounds and not share. And then Hunee the producer emerged, to add to all the other music around him. At first, his very own music showed the restlessness he so often displayed in everyday life, plus nocturnal endeavours. There were wonderful ideas, almost too many of them. It seemed that Hunee took in so much music that his own artistic persona had to fight its way out.

But it did. Yet after a few acclaimed releases, Hunee the producer disappeared again. I do not know why exactly, he never told me, and I never really asked. Apparently a debut album was ready to go, but it never saw the light. I felt that was quite a respectable and brave move, and I was very confident that he would not give up so easily. He never does.

But for an avid vinyl collector like himself, it is quite difficult to achieve that all the inspirations do not divert from your own signature, yet still shine through, and the album is still a format much superior to others. And so while he continued to drop platters that matter week in way out, he went supposedly Kubrick on his own. I am most probably not exaggerating. Why? Because I’m listening to this album while I am writing these lines.

And this album is rather special. Even the opening title is special. It does not show off some unjustified pretension, it sets a perfect mood, a misty Eastern mood, full of drips, whirls and sweet ambience. Ending in one of the catchiest melodies I heard since I first fell in love with Japanese Synth pop. Not the easiest task to transcend this blissful mystery to something you can dance to, but Crossroads does exactly that, adding a cinematic aura that feels like elements unknown are tearing the roof off the to display a panoramic view of something you have never seen before.

Silent Sensations, let me touch it. It feels acidic, and it has the glory. You will consider devouring it. Rare Happiness takes up the trip, and throws it around. A mean little groover, if I may say so. Burning Flower in all its fury may be Fitzcarraldo’s ship sliding all the way back down, with the fat lady still singing.

And if they pull that ship back up, this track will send it down again, instantly. Error Of The Average follows suit adequately, like a Sci­Fi orchestra whipping a round dance of lost souls into oblivion, all swirling drama and voodoo frenzy. I’m still trying to unlock myself from it. Failed Movement takes its time, with string melancholia unfolding into a precious downbeat stroll. Bruises is just baffling.

Do not even try to tell me you have ever heard one of the most famous vocal samples of the Paradise Garage legacy accompanied by a heart­ wrenching string quartet. No, you did not. And you will probably not hear anything like this again. And is the exotic setting in Hiding The Moon really crashing into that several minute psychedelia breakdown that then finally explodes into those revolving bass lines and HEAVY beats? They may plant flowers and gardens through the deep and chaotic furrows this has left behind, but the idyll will never be the same again.

And it keeps going more places. The jazz­fuelled interlude that is Amo (Admiration) reprises the Eastern atmosphere from earlier on, but in a puzzling way. We are talking suspense. And then… the End of The World, which I indeed did not know yet. If this is the afterworld, I am not afraid. It feels a bit feverish to me, even a bit uncertain. But I can hear a light at the end of the tunnel. Exaggerating? Me? No. I was just listening to this album while I was writing these lines.”

Words by Finn Johannsen.
Johannsen is a DJ and writer. He also co-runs the label Macro Recordings and works at Hard Wax, Berlin.

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Hunee – Hunch Music (RHM 016)

hunchmusicweb

1. Woods
2. Crossroads
3. Burning Flower
4. Error Of The Average
5. Silent Sensations
6. Hiding The Moon
7. Rare Happiness
8. The World
9. Bruises
10. Amo (Admiration)

Order “Hunch Music” here

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